![]() A throbbing wind sound is introduced, created by Waters vibrating the strings of his bass with a steel slide and feeding it through an Echorec. These organ fills, along with the bass and drum groove, fade away as lead guitar gradually becomes more distant. ![]() Wright plays brief phrases on the Hammond, which slowly increase in intensity. The latter provides this solo with exaggerated pitch bends. The solos and backing riffs are replaced by a drum and bass groove with a funk-like chordal backing, then the 3rd solo begins with a less controlled feel and prominent improvisation. A distant 2nd guitar starts accompanying the first with distortion, feedback, wah-wah, and whammy bar effects. This contains multiple guitars harmonizing at various points, after which it gives way to the 1st break. Gilmour plays a chromatic riff between verses, accompanied with A and C♯m chords, which segues into his 2nd solo. A chord progression of C♯m, G♯m, F♯m, G♯ hints to themes explored later. The opening lyrics put the listener underwater where "everything is green and submarine". Bass and drums enter shortly after, as guitar and the piano continue through the first verse. ![]() Gilmour enters with his 1st solo that has extensive use of his trademark expressive bends. Ad-lib notes fade in and build from random notes into a backing harmony.
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